The New Negro.pdf

The New Negro

Jeffrey C. Stewart

A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the twentieth century to mentor a generation of young artists like Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro-the gender ambiguous, transformative, artistic African Americans whose art would subjectivize Black people and embolden greatness.Alain Locke (1885-1954) believed Black Americans were sleeping giant that could transform America into a truly humanistic and pluralistic society. In the 1920s, these views were radical, but by announcing a New Negro in art, literature, music, dance, theatre, Locke shifted the discussion of race from the problem-centered discourses of politics and economics to the new creative industries of American modernism. Although this Europhile detested jazz, he used the Jazz Age interest in Blackaesthetics to plant the notion in American minds that Black people were Americas quintessential artists and Black urban communities were crucibles of creativity where a different life was possible in America. By promoting art, a Black dandy subjectivized Black people and became in the process a NewNegro himself.

Joel Augustus Rogers wrote 100 Amazing Facts About the Negro With Complete Proof: A Short Cut to the World History of the Negro in 1934. It inspired the blog ... THE NEGRO IN THE NEW WORLD: THE STATEMENT OF A PROBLEM By MELVILLE J. HERSKOVITS. HE Negro in the New World has given rise to a situation ...

7.94 MB DATEIGRÖSSE
9780195089578 ISBN
The New Negro.pdf

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